Friday, September 18, 2009

Fragaria (prelude)



Fragaria (prelude)
a small show of paintings

from 18th September to October 28th 2009

Scott Building Foyer,
University of Plymouth,
Drake Circus,
Plymouth,
Devon PL4 8AA

Paintings (on wall):
1./ Raspberry with salt on 12” record painted white*
2./ Blueberry with salt on 12” record painted white*
3./ Blackberry with salt on 12” record painted white*
* with acknowledgements to Ellie Parker for providing these records, ready-painted with emulsion.

Work on plinths:
4 Paint tins [pitara, red plum, strawberry, raspberry]
Fragaria (island)
Periodic Review
Cerasum

These speculative pieces have grown out of my previous explorative practice of combining sodium chloride (salt) with water-based paints - a practice which enables me to work in a space between chance and control in my artwork (and runs parallel to my work with indeterminate music composition).

During the Summer of 2008 I began to use fruit, first as an admixture to my acrylic/salt mix, then eventually realising that fruit alone provides all of the essentials of commercial paints for my purposes: hue, texture, a covering medium etc. while also returning paint to its roots: poetic yet fallible.

The application of fruit/salt to a variety of surfaces has generated the possibility of my developing a vocabulary of objects in relation to form (e.g. the square, the circle) and content (meditations on chance and composition, the poetics of the gramophone record, the act of painting and in the case of ‘Cerasum’, sexuality).

Monday, August 31, 2009

Consemble: EFGC2 Concluded

Midnight the 31st August 2009 sees the conclusion of the second round of Consemble licences:
Consemble E: 'soul electric'
Consemble F: 'washed up on your island'
Consemble G: 'sky writing'
and the continuation (second licence):
Consemble C2: 'the idea of voice'

Consemble has been a great success this year with an even wider range of contributors (particularly due to my networking through NetNewMusic and OPENFluxus). I'm very encouraged by this and am considering how to develop Consemble even further.

Over 43 contributors have taken part and although the licences are now closed to the general public I am going to invite participation from a few key people (with a deadline of Saturday 24th Oct.) - I will then issue a newsletter and another blog article.

Wednesday, August 26, 2009

newpost



Since I am on holiday with Teo, here's a stamp of our recent collaborative painting (blackberry, redcurrant, lime, melon).

Saturday, August 15, 2009

Proposition (Cherry; Raspberry) v



Above is an edited snapshot of the painting, now dry. Not completely finished, as I am going to paint the edges, but nevertheless a version of the 'finished' work.

Thursday, August 06, 2009

Proposition (Cherry; Raspberry) iv



A cherry vocano with a large raspberry seed prominence.

A serrated coastal edge boardering two large, deep red territories. To the South West, a paler ravine harbouring clearer crystal structures.

A weather of changes soon...

Wednesday, August 05, 2009

On the Use and Abuse of Random



> How random are you?

Rowntrees recently released some sweets in the UK called 'Randoms' - part of the ad campaign runs: 'what makes them so unique is that contain four different textures, six fruit flavours and 258 different shape and colour combinations. With shapes as diverse as a monkey, cupcake, acorn, shuttlecock, palm tree and even a pair of y-fronts! This really is variety like never before'.

There seems to be the beginnings of a trend within manufacturing to drawn on the influence of generative systems to produce variety. Recently, faber and faber commissioned some book designs that
are unique for every copy: 'Faber Finds generative book covers'


Of course, I hope this trend continues.

However, what I really want to write about here is a recent linguistic development in the UK. I first noticed it amongst my students but you now hear it in advertising, on radio, even the BBC news: namely the use of random as an adjective. Previously, there have been legitimate occasions for this: you often hear something like 'I made a random decision' - although the alternative 'I made a decision at random' sounds more elegant to me. What I am highlighting though are phrases such as 'a random man came up to me' or 'wow, that experience was completely random'.

You can have fun with the first example: I imagine a 'random man' as one whose clothes magically keep changing - now he's wearing a deerstalker with a red suit, now a bowler with speedos etc. What is meant used to be said as 'a man came up to me at random'. The meaning of the second example is quite hard to capture exactly but runs something like 'I had a strange/unexpected/disorientating experience.'

Part of me (the grumpy old man part) deplores this use of 'random' -but I'm mindful of the kind of discussions in Stephen Pinker's book 'The Language Instinct' so perhaps the language is changing and I have to learn to live with it. One aspect I can challenge though is, perhaps, a philosophical one: the assumption that the notion of randomness is straightforward.

Let me give some examples of how it is not.

The first one is close to home: in Parallel Music, as a form of short-hand, I describe it as drawing on computer random number generation to provide the indeterminacy. In actual fact, computers use pseudo-random number generation, as there will always be a slight numerical bias in the output. Also, within this system, the possibilities of different versions are very large but not infinite: given enough time, one could hear all the possible permutations of a piece of PMusic.

Secondly, to what extent is the phrase 'I chose a colour at random' actually true? Ever since discussions of the unconscious mind, we have become aware of the possibility of mental events beyond our control (or at least, recognition) influencing our behaviour. And nowadays we are increasingly aware of the importance of our genetic heritage as a contributing factor in our lives. Therefore can we ever truly make a random decision? Did the man really come up to you at random?


What I really don't like in much of the recent use of the word random is the implication of a certain passivity, a lack of responsibility: 'Oh the world's all random so you can't get involved; this random man blew up a bus; politics is all totally random' etc.

Well this random man is telling you: it's not as random as you think.
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