Spring Cleaning '09

After a fairly relaxing but poignant Easter I return to report on current developments.



Since I last blogged my painting practice has continued to flourish and grow, with my current work centering on the record and variations upon it (taking, for example, the idea of a label surrounded by a circular lake of sound). I need to confirm but I believe I am setting up a small show of work very soon, in the Scott Building in Plymouth University where I lecture. I want to use this as a spring board for a larger show this Summer, which will also include some form of bookwork. As I have been working with strawberries for some of these pieces, the tentative title of the Plymouth show is 'Fragaria - towards future variations'. As my friend Sarah commented (who teaches an MA Fine Art course) my recent work is complex, with apparently disparate strands being collided, but I feel an effective display of my work will lead the audience through the brambles to the fruit ;-)


I am still thinking how best to represent my work online and need to reflect further on how I want to structure paulramsay.co.uk so that I achieve a balance between old and new work. Rightly or wrongly I always feel I want to do justice to earlier material, particularly music, as the work didn't have much exposure at the time it was made and I think there are some good pieces there - things that I listen to as much as I listen to anything else. It is also coming up to the 30 year anniversary of 'Photographs of Sound' - an album recorded and released by PGRS, the first improvising band I was a member of - and so it would be appropriate to mark this with some form of interweb celebration I think...

This round of Consembles has been very productive, with a number of new participants getting involved, and the promise of sounds from many more. I am pleased in the way that this project has put me in touch with many interesting artists/musicians (and I intend to develop this further, possibly into the territory of 'Inlets' Daughter' and certainly for MAAKOF).


I am already collaborating with the delightful Carla Cryptic on a new PMusic Single and this is an exciting development for me, being able to work internationally across the web, with like-minded people.


Another encouraging sign has been the inclusion of an overview of PMusic and Consemble by Peter van Cooten in his blog 'DreamScenes'. Peter is also involved in Folio Radio - a radio show in the Netherlands and we are talking about the possibility of PMusic featuring in a half-hour slot on the programme in June or July of this year.

I still have several things I need to attend to:
'Inlets Daughter' and/or 'eTudes'
A bookwork on Parallel Music
MAAKOF
Beatrice Harrison project
'Red' painting project
my website (as mentioned)
and more...

Spring cleaning my art while time flies by...

New Licenses

Feb 1st soft launch for three new Consembles:
Consemble E: 'soul electric'
Consemble F: 'washed up on your island'
Consemble G: 'sky writing'

and a continuation (second licence):
Consemble C2: 'the idea of voice'



Please feel free to contribute your own sounds
'let's build some music together'

First in 2009

Hopefully, a multi-coloured year with the release of:
Albums,
Bookworks,
Consembles
and the
Development of
paintings and
other visual pieces

6/9/08 to 5/1/09

This entry actually covers the period from:
Saturday, September 06, 2008 to Monday, January 05, 2009.

During the above period much has happened, particularly within my painting (I've been doing lots of it), that I haven't been able to document in this blog. The recent demands of my job (including an exhausting, but ultimately productive, 'periodic review') and periods of illness have taken me away from self-reflective writing. Concurrently, the possibilities for documentation of my paintings have grown so much that I feel a separate web presence, possibly within my paulramsay.co.uk site, is called for, this having the added advantage of freeing up space here to mention painting as just one activity I'm engaged in and perhaps returning the focus of this blog primarily to discussions of music and Chameleon Lectra.

The following then is a summary of activity and interests that have arisen from my visual explorations:

I began painting again as a means of creative relaxation - away from the computer but not away from my muse. My first pieces revisited the territory I had explored after my degree, with the added advantage that I generally had (have) more money, time and space with which to pursue them.

One of the biggest differences was that I chose to work mainly on canvas, both as a signifier of 'painting' and a convenient means of mounting work on walls. Previously I had used hardboard, MDF, paper or reworked existing prints/paintings.

I use, primarily, square canvasses and the motifs of square and circle appeared in my early, recent work, further emphasized by my occasional incorporation of records.

Some interesting references:
Pallete
Anthocyanins (pigment in fruits such as strawberry, raspberry, blackberry, blueberry, cranberry, cherry etc.)
Kermes
Cochineal


above: 'Fleurs des Sels' (September - December 2008)

Strawberry September

I've always had a thing about strawberries. One of my earliest memories is looking for wild strawberries with my father in Swanscombe woods (the wild ones have a beautiful concentrated flavour).

Taste
I was shocked when a girl in my infants' class said she disliked them. I think this was the moment when I began to understand that people are not the same, that we are separate entities with diverse tastes. However, this really upset me when I was six - how could anyone not like strawberries?


Thief
In my early twenties I worked for the Post Office as a counter clerk (mainly to raise funds for my music projects). As experiences go it was rather a dull one but I do remember being struck, one day, by an issue of stamps based on William Morris's 'Strawberry Thief'. I took this inspiration home with me and ended up writing a piece for Four Point Paint with the eponymous title. We performed this piece, along with three others, at a small gig in Southampton and for each piece we also created a visual image which we suspended above us. I did a reinvented Strawberry Thief illustration in gouache, incorporating some biographical elements.


Terrain
I've been painting with strawberries as a continuation with my work with fruit (see previous entry 'Brush') and it has been a very interesting challenge. Unlike raspberries, the colour tends to remain uniform - vermillion when wet and a darker red (crimson) when dry. The flatness of the colour heightens the role of texture in a monochrome painting. The use of strawberries, following on from the raspberries, (see entry below) has also made me reflect on the symbolic and metaphoric potential of this activity with fruit and accordingly has opened up several areas for exploration (including narrative, provenance and chemistry).


above: 'Strawberry Echoes' September 2008

Consemble: End of First Year

The deadline of 31st August 2008 being duly reached, the music licences for Consembles A, B, C and D have now 'expired' (although the music never ends ;-)

http://www.chameleonlectra.co.uk/Consemble-A.html
http://www.chameleonlectra.co.uk/Consemble-B.html
http://www.chameleonlectra.co.uk/Consemble-C.html
http://www.chameleonlectra.co.uk/Consemble-D.html


A very successful first year conclusion to an expansive project. Over 30 people took part, with the spread of backgrounds I was looking for: sound artists, mail artists, amateurs, children, dilettantes, experts.

My next task is to write some mini-essays on the experience and then redesign and re-launch the Consemble pages. I'll blog when this is achieved.

There will also be three new open licences for 2008/9: Consembles E and F, and a second 'idea of voice' (as this was a popular choice) Consemble C2. Deadline 31st August 2009.

Consemble: construct, assemble, compose, ensemble