Strawberry September

I've always had a thing about strawberries. One of my earliest memories is looking for wild strawberries with my father in Swanscombe woods (the wild ones have a beautiful concentrated flavour).

Taste
I was shocked when a girl in my infants' class said she disliked them. I think this was the moment when I began to understand that people are not the same, that we are separate entities with diverse tastes. However, this really upset me when I was six - how could anyone not like strawberries?


Thief
In my early twenties I worked for the Post Office as a counter clerk (mainly to raise funds for my music projects). As experiences go it was rather a dull one but I do remember being struck, one day, by an issue of stamps based on William Morris's 'Strawberry Thief'. I took this inspiration home with me and ended up writing a piece for Four Point Paint with the eponymous title. We performed this piece, along with three others, at a small gig in Southampton and for each piece we also created a visual image which we suspended above us. I did a reinvented Strawberry Thief illustration in gouache, incorporating some biographical elements.


Terrain
I've been painting with strawberries as a continuation with my work with fruit (see previous entry 'Brush') and it has been a very interesting challenge. Unlike raspberries, the colour tends to remain uniform - vermillion when wet and a darker red (crimson) when dry. The flatness of the colour heightens the role of texture in a monochrome painting. The use of strawberries, following on from the raspberries, (see entry below) has also made me reflect on the symbolic and metaphoric potential of this activity with fruit and accordingly has opened up several areas for exploration (including narrative, provenance and chemistry).


above: 'Strawberry Echoes' September 2008

Consemble: End of First Year

The deadline of 31st August 2008 being duly reached, the music licences for Consembles A, B, C and D have now 'expired' (although the music never ends ;-)

http://www.chameleonlectra.co.uk/Consemble-A.html
http://www.chameleonlectra.co.uk/Consemble-B.html
http://www.chameleonlectra.co.uk/Consemble-C.html
http://www.chameleonlectra.co.uk/Consemble-D.html


A very successful first year conclusion to an expansive project. Over 30 people took part, with the spread of backgrounds I was looking for: sound artists, mail artists, amateurs, children, dilettantes, experts.

My next task is to write some mini-essays on the experience and then redesign and re-launch the Consemble pages. I'll blog when this is achieved.

There will also be three new open licences for 2008/9: Consembles E and F, and a second 'idea of voice' (as this was a popular choice) Consemble C2. Deadline 31st August 2009.

Consemble: construct, assemble, compose, ensemble

Dusk Letter/Dusk Disk

Been away for a break, visiting friends and family in and around Rochester, Kent. Pleasantly surprised today by a letter from David Dellafiora found on my doormat today just as I was about to do catch-up supermarket shopping.

The package also contained a disk for submission to Consemble B: 'Dusk' with several tracks of birdsong recorded in Australia, at dusk, by Dave and his partner and fellow artist Sue Hartigan.

It is refreshing to get a contribution that has been put together with such care and integrity. There is a kind of creative energy that is perpetuated by such activity and Dave, and Sue, always contribute fully to any project they're engaged in.

Said in my reply email:
'Thanks once again for participating - and it's refreshing to get a CD in the mail that has been so lovingly crafted: it will certainly go into my archive! ...I'm pleased with Consemble B as it has the rather introverted, purple sky feel I was hoping for. I've gained a lot from doing this project and particularly in terms of composition I feel I've also learned and developed a sensibility for PMusic and its potential'.

Current Consembles now have just a eight more days to run.


click on the above image to hear track 1 of the disk

also listen here to Consemble B: 'Dusk'

Variations (and other pieces)

As it's Monday and I'm not working on anything specifically today I thought I'd take a moment to give an overview of recent work.

Here are some of the other works generated by yesterday's painting session:





And here are some of the other pieces in progress:









Intending to buy some more paint and canvasses tomorrow; I may work on the strawberry/salt crystal project later this week.

Brush

The day has arrived.

After all my preparation, from priming canvasses and painting their edges, to visiting B&Q and WHS and pound shops for materials, to purchasing British fruit in Sainsburys, I'm finally at the point where I will coat a canvas in paint, salt solution and raspberries - and then leave it to dry.



My attitude to painting, the frame of mind I adopt, is very similar to my one for composing music: the paintings grow and develop partially through control, partially through accidents and unforeseen outcomes. I like working in this gap between chance and order. I also view each painting as a kind of dynamic experiment, which may or may not have a successful outcome but will at least provide an experience from which to learn.

1./ blender         2./ add fruit       3./ add salt sol.       4./ pulse


5./ pour mix       6./ mix in paint      7./ apply to canvas

Now all we have to do is wait:



ingredients:
Raspberries (variety Glen Ample, Scotland)
Atlantic Sea Salt (solution)
Velvet Matt Emulsion (Craig & Rose) - Red Velvet
Velvet Matt Emulsion (Craig & Rose) - Oriental Red
Chalky Emulsion (Craig & Rose) - Deep Burgundy
Acrylic (WHS) - Rose Madder
Acrylic (Cryler: Daler Rowney) - Cadmium Red
Acrylic (Galleria: Windsor & Newton) - Crimson

Consemble/Paint

Busy again sifting the web for people to invite to Consemble and emailing sound art project sites to request placement of Consemble on their links pages - there's a particularly good presentation at netEX which has resulted in quite a few visits.

Also received some more sounds from a musician from Chile so spent an enjoyable morning creating Sons from this material.

I've learned a great deal from this project and when this current round ends on the 31st August I shall place a mini essay on the site reflecting on the experience. One of the things that has surprised me is that people generally say 'here are my sounds - edit and use them accordingly'. I was expecting participants to be much more 'hands on' about their contributions, so the lightness of touch is refreshing. Having said this I'm not sure to what extent people are listening to the Consembles prior to sending the sounds they 'think ought to be included in the projects' - I'll have to consider this for future work. At the moment I think I will set up three new Consembles beginning on the first of September with a deadline of the 31st August 2009 (as this fits well with my timetable in relation to college work).


Painting is progressing well with the 'strawberry' canvas being prepared and another small square canvas primed for tests. That totals around 6 paintings in gestation. Have been very spoiled recently as we have had some very warm, sunny days perfect for drying canvasses quickly. It now feels as if a storm is brewing so we may be returning to cooler, English slower drying times.

I think providing a list of 'ingredients' for each painting will be a useful way of contextualising them; a small bookwork based on this idea may be appropriate.

I also think going to my kitchen for a break and refreshment will be useful; a biscuit and a cup of tea may be appropriate here. Must phone Geoff.